Summary
Although fans and critics alike have known the harsh truth for a while,Killing Evehas officially landed the title of “most disappointing” series finale of all time. Based on Luke Jennings' Villanelle novels, the British spy thriller captivated audiences when it debuted in 2018. Bolstered by its darkly comedic approach to sinister and brutal plot points,Killing Evepaired TV legend Sandra Oh with then-newcomer Jodie Comer inone of the best games of cat-and-mouse to ever grace the small screen. Unfortunately,Killing Eveseason 4’s endingdidn’t stick the landing, marring the show’s legacy.
The fan-favorite series centers on Eve Polastri (Oh), a British intelligence operative who becomes obsessed with apprehending the enigmatic assassin Villanelle (Comer). However, the obsession is mutual. Villanelle develops something of a soft spot for Eve, which only adds to the cat-and-mouse thrills.Killing Eve’s book-accurate premise, and the way the narrative unfolds, also garnered the adaptation legions of queer fans. Between swapping showrunners every season, struggling to close the many threads it set up, and departing from the novels' conclusion,Killing Eve’s series finale is terrible — and now it’s official.
Killing Eve’s Series Finale Was Named The Most Disappointing In New Study
Killing Eve Beat Out HBO’s Game Of Thrones For The Dishonor
According to a new study conducted by JeffBet,Killing Eveboasts the most disappointing series finale ever, thoughGame of Thronesseason 8 (in its entirety) andDextercertainly gave the BBC show a run for its crown. The study used IMDb ratings to determine its big loser: JeffBet focused on once-popular series, likeKilling Eve, and explored which projects show the steepest dip in quality based on users' IMDb ratings. Helmed byKilling Eveseason 4’s oft-maligned showrunner Laura Neal (Sex Education),“Hello, Losers,” exceeded expectations — in all the wrong ways.
Killing Eve’s final episode failed by almost every measure…
Even for shows that remain consistently strong throughout their runs,nailing a series finale is not an easy feat. With a bevy of some of the best TV show finales in history to compete with, the bar is incredibly high for series' conclusions. In addition to providing closure, series finales are tasked with being memorable and inventive — with tying up loose ends but leaving enough wiggle room for more. In short, endings must be both satisfying and inevitable. Unfortunately,Killing Eve’s final episode failed by almost every measure, earning its place as the most disappointing series finale ever.
After 120+ Deaths, Killing Eve’s Universally Acclaimed 6-Year-Old Episode Has The 1 Character Demise We Still Can’t Get Over
Years later, Killing Eve season 1, episode 3 is one of the show’s best outings—even if it contains a heartbreaking character death no one saw coming.
Killing Eve’s Series Finale Is Controversial Because Of Villanelle’s Death
Killing Eve Season 4 & The “Bury Your Gays” Trope, Explained
One of the many issues with Killing Eve’s series finale is Villanelle’s death, a turn of events that underscores some of the show’s biggest missed opportunities and missteps. Whilereflecting onKilling Eve’s finale, Jodie Comerrecalled that “there were a lot of upset fans” — and rightly so. The death is frustrating enough from a character perspective, but how it’s handled is downright insulting, especially to LGBTQ+ fans.Most of the final episode plays out like fan fiction: Eve and Villanelle are even forced by circumstances to share a bed. After seasons of build up, the execution is sloppy.
Even before the relationship turned explicitly queer, it was the compelling, human core of the show.
The best part of the series is Eve and Villanelle’s unique dynamic. Against all odds,the two characters learn from their cat-and-mouse game — and from each other. While Eve gains strength and voice, Villanelle reassesses her capacity for love or companionship. Even before the relationship turned explicitly queer, it was the compelling, human core of the show. In “Hello, Losers,” Eve and Villanelle finally kiss — a moment that’s showcased as joyful. A few scenes later, the two find a common purpose in taking down The Twelve, only for Villanelle to be struck down by sniper fire.
The trope, which stems from the film industry’s Hays Code, suggests a correlation between queer joy and LGBTQ+ characters being deserving of tragedy.
It’s no surprise thatKilling Eve’s finale was accused of perpetuatingHollywood’s ever-harmful “Bury Your Gays” trope. SinceBuffy the Vampire Slayer’s stray, Tara-killing bullet, the trope has reared its head time and again, fromThe 100toKilling Eve.A core element of the “Bury Your Gays” trope is that tragedy strikes right after queer characters find happiness, often exemplified by physical intimacy. A few scenes later, one (or both) of them is killed. The trope, which stems from thefilm industry’s Hays Code, suggests a correlation between queer joy and LGBTQ+ characters being deserving of tragedy.
Why Maya Rudolph Turned Down Sandra Oh’s Role In Killing Eve
Maya Rudolph says she would’ve loved a shot at working with Phoebe Waller-Bridge on Killing Eve, but she turned down the role that went to Sandra Oh.
Killing Eve’s Series Finale Left A Lot Unresolved
Killing Eve Season 4 Couldn’t Tie Up All Of Its Loose Ends
TheKilling Eveseries finale leaves a ton of threads hanging.A traumatized Eve, who’s left to just float in the river, lets out a guttural scream before the words “The End” appear.Showrunner Laura Neal likened the moment to a “rebirth” for Eve, which feels off-putting since the openly queer Villanelle had to die for Eve’s character to be reborn. While Eve and Villanelle’s relationship was toxic at worst and unconventional at best, how the show handled their endings undermines their complex relationship. EvenKilling Eve’s original author criticized the show’s endingand lack of closure.
…the two walking off into the sunset would’ve captured the spirit of the story.
Jennings noted that the series was uncharacteristically “bowing to convention.“Like fans, Jennings called out the show’s reliance on the “Bury Your Gays” trope. “A truly subversive storyline would have defied the trope which sees same-sex lovers in TV dramas permitted only the most fleeting of relationships before one of them is killed off,” Jennings wrote, adding that the two walking off into the sunset would’ve captured the spirit of the story. Plus,Killing Eve’s finale failed to solve two mysteriesat the center of season 4, including the murder of Carolyn’s (Fiona Shaw) son, Kenny (Sean Delaney).
Killing Eve Season 5 Needs To Happen To Save The Show’s Legacy
The final season of Killing Eve neglects to give justice to its themes and story arcs with an unsatisfying resolution only a season 5 can fix.
Changing Showrunners Every Season Took A Toll On Season 4’s Vision
AlthoughKilling Eve’s first two outings were truly incredible, the series took a bit of a dip in quality in season 3. The third outing was still an intoxicating watch, thanks in large part to Oh and Comer’s undeniable chemistry.Killing Eveseason 3’s finale, “Are You Leading or Am I?,” was the series' last good episode. Eve and Villanelle agree to walk away from each other, but both can’t help but look back.The fourth season misunderstands the fundamentals of Eve and Villanelle’s relationship, underscoring just how much the ever-shifting showrunner position damagedKilling Eve’s larger narrative.
As of July 2024, all four seasons ofKilling Eveare streaming on Netflix.
Killing Eve
Killing Eve is a black comedy thriller series starring Sandra Oh as British intelligence officer Eve Polastri who is assigned to track and capture a dangerous assassin named Villanelle, played by Jodie Comer. Bored with her life, Eve finds herself hired by an undercover MI6 division tasked with tracking down Villanelle - who, after just a brief time studying and following her, she becomes obsessed with her. However, the obsession becomes mutual as soon the two enter a game of cat and mouse that deviates them from their missions as they venture to learn more about one another.
